Classical violins produced by makers such as Antonio Stradivari and Guarneri del Gesu have long been considered the epitome of the luthier’s art and the expressive tool of choice for the most celebrated violinists. It has been speculated these makers had access to wood that was unique in some way and that this was responsible for their acclaimed tonal characteristics. In an attempt to discern whether the above conjecture is true, we analyzed 17 modern and classical Dutch, German, Austrian and French violins by wood densitometry using computed tomography and correlated these results with our previous study of modern and Cremonese violins; in all studying 30 instruments of the violin family. In order to make this comparison possible we developed methods to cross calibrate results from different CT manufacturers using calibration wood pieces. We found no significant differences in median densities between modern and classical violins, or between classical violins from different origins. These results suggest that it is unlikely classical Cremonese makers had access to wood with significantly different wood density characteristics than that available to contemporaneous or modern makers. Editor: Lee A. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. TMB received for publication of an article studying a violin using CT and modal analysis in Strad in
International Competition for Violin, Kloster Schöntal
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Title: Miniature Violin. Date: late 19th century. Geography: Germany? Culture: possibly German. Medium: Wood. Dimensions: Body L. 9 cm (/16 in.) Total L.
My violin. In the restaurant of the Hotel Alpenrose , the ancient dining room smelled so strongly of sausage and cheese that the air itself seemed smoked. In a booth, a whiskered man picked at a zither, his whirligig tunes adding to the festive atmosphere. All the staff wore traditional Bavarian costume, as did several of the guests. My waiter explained that lederhosen and dirndls —the apron skirts worn by the women—are the Sunday outfit of choice for many locals.
Few places in Bavaria, I discovered, can claim as strong a grip on local tradition as Mittenwald. At Alpenrose, I ordered a beer. Dinner was a skillet of melted cheese and noodles. Whole production lines emerged, with some families making the fingerboards, some the necks, others the scrolls.
Who Made My Violin?
Display all pictures. German School violin built in the nineteenth century. Made in varnished wood with the precise characteristics of an instrument of Baroque style. The minimum purchase order quantity for the product is 1. Availability date:. Add to cart.
English: A German, maple Violin made in c It has dominant strings and ebony fittings. Beneath is a W.E. Dörfler bow. Date, 14 February Source.
So why do musicians keep getting separated from their precious, often priceless instruments? The answer could be simply that they are mere mortals. But if that is the case, why does it not happen even more often, given that musicians travel constantly and haul everything along except the Steinway grand? Maybe the answer there lies in the extraordinary, even paranoid behavior that musicians display toward the tools of their trade.
The latest case of separation anxiety was highlighted last week at a taxi lot at Newark Liberty International Airport. Such incidents pop up regularly. The explanations include fatigue from long travels, preoccupation, a simple mistake, the mere fact of being human. In truth, Mr. Quint said, he did not forget the violin at all.
Acclaimed German Violin-Maker Tops Italian Masters
Often a disciple placed a facsimile label in his violin to acknowledge or honor the master whose model had inspired his work. Also, commercially made instruments often bear facsimile labels to identify the model of the product. Copies made after may also have a country of origin printed in English at the bottom of the label, such as “Made in Czechoslovakia”, or simply “Germany”.
Back: in two-pieces of maple of excellent quality with somewhat irregular flame of medium width descending from the center joint to the edges. Top: in two pieces of spruce with grain of narrow width in the center, opening somewhat on the flanks. There are 11 additional images in the archive which are not available publicly. Please contact us for more information. Cozio holds copies of many certificates and other documents, some of which are available to view on request.
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BAROQUE VIOLIN GERMAN SCHOOL
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If Stainer had been apprenticed to a. German violin maker the likelihood is that this would have been in Venice. At various times thirty four makers from. Füssen.
Knowing who made your violin is one of the most important clues to its value. Unfortunately for most instruments you might need the help of an expert, such as our team of specialists at Amati. However, here is a quick run down of what you might be able to do at home. The label might tell you who made your violin. You can find a label inside the usually left hand f-hole in the violin. Not all violins have labels, and you may have to blow away the dust and move the violin under the light to see whether yours does.
Violins | Antique violins
German School violin built in the nineteenth century. Made in varnished wood with the precise characteristics of an instrument of Baroque style.
Just the other day another Strings reader wrote inquiring about the value and authenticity of his violin. Even if the little tag inside your instrument is original, the information printed on it might be accurate but obscure, genuine but inaccurate, misleading, or downright false. A cursory investigation of the aforementioned Rocca label provides an illustration. Using a few key words to search the Internet turned up several instruments bearing the same label. Among them, a genuine Joseph Rocca, certified by a famous dealer and sold by a reputable auction house.
A second violin bearing the same label was made by John Lott, perhaps the best of the English makers. Whether or not to call them forgeries, rather than copies, is debatable, as forgery implies intent to deceive. It was all over New York and had several attributions to Enrico Rocca Genoa , some from good people, to which I have no comment. In the end, it had just enough quality going for it that it sold to a dealer on spec that it was Enrico.
Warranty & Support
This German handmade violin dates back to the early s. Recently refurbished, this violin has a new tailpiece and strings and is ready for a new home! Comes with a black hard case and bow.
The presence of a label with a famous maker name or date has no bearing on German Violin Makers: A Critical Dictionary of German Violin Makers, with a.
Your question may be answered by sellers, manufacturers, or customers who purchased this item, who are all part of the Amazon community. Please make sure that you’ve entered a valid question. You can edit your question or post anyway. Please enter a question. Leung from the beginning to the end. Skip to main content. Save this item now and buy it when it is deliverable. Save for Later.